![]() Now we’re getting close to the Track Matte portion of the project. Neat, huh? Animating and using a Track Matte Try moving your text around to see how it interacts with the footage. Ta da! Your footage is now contained within your text. Click on the aforementioned empty square.If you don’t see it, click Toggle Switches/Modes, which should be at the very bottom of the layers bin. That will be the Preserve Underlying Transparency Option, denoted by a T at the top. Look for a little empty square to the right of the Modes.Make sure the footage layer is above the text layer (and positioned to obscure the text layer at this point).There you’ll see the two layers you selected earlier, all safe and ready to be used. Now, double click the precomp layer within your project to navigate inside it.In the Precomp box that pops up, name it Transparency Windows.The benefit to having one of these is organization, it’s easier to animate, and you can add all sorts of cool effects you can’t do otherwise. A Precomp is like a container nested within your project that holds layers within it. This will create a Precomp in your layers. Look near the bottom for the Pre-compose option.Right-click on either selected layer to bring up a list of options.Shift+click on your bottom footage layer to have both selected. ![]() In this section, we’ll create a precomp to organize our layers as well as make it easier to animate later on. You should now have a top text layer, then your footage layer, then your bottom text layer with the white solid beneath it all.
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